R I C K
W I L L S
LEGENDARY & REVERED BASSIST
with
DAVID GILMOUR ...PETER FRAMPTON... FOREIGNER...THE SMALL FACES...
BAD COMPANY...ROXY MUSIC ...
and many more
Rick co-wrote the songs 'Do You Feel Like We Do' and 'Doobie Wah' during his time with Peter Frampton. To date Rick Wills has played bass guitar on 113 published albums and singles.
RICK WILLS INTERVIEW
CLICK BELOW TO LISTEN IN
Rick Wills and Lou Gramm in their (Foreigner) days
RICK WILLS INTERVIEW
CLICK BELOW TO LISTEN IN
Rick Wills and Lou Gramm in their (Foreigner) days
"Rick" Wills is a British bass guitarist. He is best known for his work with the rock band Foreigner and his associations with the Small Faces, Peter Frampton, and Bad Company.
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| Rick w/Willie Wilson on David Gilmour's first solo album |
Wills joined the rock band Joker's Wild in 1966, (with David Gilmour on guitars and vocals), replacing Tony Sainty, until they broke up in 1968. He played bass on Peter Frampton's first three albums before parting from Frampton in 1975. He became the bassist with Roxy Music in 1976, before leaving them and joining the Small Faces in 1977, during their reunion period. He left the Small Faces and appeared on David Gilmour's critically acclaimed solo album in 1978, with William Wilson on drums. The next year, Wills became a member of rock band Foreigner and remained with them for 14 years.
After leaving Foreigner in 1992, he joined Bad Company and stayed with them until Boz Burrell rejoined the band in 1998. In July 1999 he filled in for Lynyrd Skynyrd bassist Leon Wilkeson for live shows when Wilkeson briefly took ill. He appeared at The Steve Marriott Memorial Concert on 24 April 2001, as part of a backing band with Bobby Tench, Zak Starkey and Rabbit Bundrick.
Wills was reunited with Small Faces drummer Kenney Jones in the Jones Gang during 2006 and appeared with The RD Crusaders for The Teenage Cancer Trust at The London International Music Show on 15 June 2008. Wills left The Jones Gang in the summer of 2015 and was replaced by Pat Davey.
Rick co-wrote the songs 'Do You Feel Like We Do' and 'Doobie Wah' during his time with Peter Frampton. To date Rick Wills has played bass guitar on 113 published albums and singles.
with Foreigner 40th Anniversary
THE COMPLETE ATLANTIC STUDIO ALBUMS
1977-1991
F O R E I G N E R
Rhino celebrates the band's prolific tenure with Atlantic Records, with a seven-disc collection that brings together Foreigner's first seven studio albums, as well as a number of bonus tracks.
available at amazon.com
Rick Wills Discography
Rick Wills Discography
With Cochise
Cochise (1970)
Swallow Tales (1971)
So Far (1972)
Past Loves (A History) (1992) - Compilation
Velvet Mountain: An Anthology 1970-1972 (2013) - Compilation Double Album
With Peter Frampton
Wind of Change - A&M (1972)
Frampton's Camel – A&M (1973)
Somethin's Happening – A&M (1974)
With Roxy Music
Viva! – Atco (1976)
With Kevin Ayers 1976
Yes we have no Mañanas (So Get Your Mañanas Today)
With The Small Faces
Playmates – Atlantic (1977)
78 in the Shade – Atlantic (1978)
With David Gilmour
David Gilmour – Harvest (1978)
With Foreigner
Head Games – Atlantic (1979)
4 – Atlantic (1981)
Agent Provocateur – Atlantic (1984)
Inside Information – Atlantic (1987)
Unusual Heat – Atlantic (1991)
With Bad Company
What You Hear Is What You Get: The Best of Bad Company – Atco (1993)
Company of Strangers – Elektra(1995)
Stories Told & Untold – Elektra (1997)
With The Jones Gang
Any Day Now - AAO Music (2005)
For more information about Rick Wills
visit
Rick Wills Fan Page
MY NEW BOOK IS FINALLY OUT!
ENTITLED
THE
ROCK STAR CHRONICLES
SERIES ONE
CHRONICLES, TRUTHS, CONFESSIONS AND WISDOM FROM THE MUSIC LEGENDS THAT SET US FREE
…Order yours today on Hardcover
or E-book
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Featuring over 45 intimate conversations with some of the greatest rock legends the world will ever know.
CHRIS SQUIRE... DR. JOHN... GREG LAKE... HENRY MCCULLOUGH... JACK BRUCE … JOE LALA… JOHNNY WINTER... KEITH EMERSON... PAUL KANTNER... RAY THOMAS... RONNIE MONTROSE... TONY JOE WHITE... DAVID CLAYTON-THOMAS… MIKE LOVE... TOMMY ROE... BARRY HAY... CHRIS THOMPSON... JESSE COLIN YOUNG... JOHN KAY... JULIAN LENNON... MARK LINDSAY... MICKY DOLENZ… PETER RIVERA ...TOMMY JAMES… TODD RUNDGREN... DAVE MASON... EDGAR WINTER... FRANK MARINO... GREGG ROLIE... IAN ANDERSON... JIM “DANDY” MANGRUM... JON ANDERSON... LOU GRAMM... MICK BOX... RANDY BACHMAN… ROBIN TROWER... ROGER FISHER... STEVE HACKETT... ANNIE HASLAM… ‘MELANIE’ SAFKA... PETULA CLARK... SUZI QUATRO... COLIN BLUNSTONE… DAVE DAVIES... JIM McCARTY...
PETE BEST
THE ROCK STAR CHRONICLES
BOOK TRAILER
BOOK REVIEW
-By Literary Titan (5) STARS
The Rock Star Chronicles, by Ray Shasho, is a splendid book written by a music enthusiast who has poured their heart and soul into it. It’s a story of a boy who loved rock music, and his obsessive passion of it earned himself the name Rock Raymond. He went to school but instead was schooled in all matters of music while his peers were buried chin-deep in coursework. He then became a radio DJ and has now compiled a book on all interviews he held with Rock gods who raided the airwaves back in the 70s and 80s. It’s a compilation of interviews with outstanding vocalists, legendary guitarists and crazy drummers in the rock music scene. Each interview gives a reader an in-depth view into their personal lives and the philosophies that guide their lives which all serve to humanize these great icons. For readers who are old enough to call themselves baby boomers this book will bring old memories back to life. Millennials, on the other hand, may think of this book as a literal work of the Carpool Karaoke show.
The Rock Star Chronicles is a book I didn’t know I was waiting for. To come across a book that will talk me into trying something new. One brave enough to incite me to venture into new frontiers. This book made me a believer- I am now a bona fide Rock and Roll music fan.
Ray Shasho masterfully gets the interviewees talking. He smartly coaxes answers from them with crafty questions designed to get a story rolling out of them. The artists talk about diverse issues ranging from music, politics, and their social engagements. Having been on the music seen all his life, Ray Shasho knows the buttons to press, how to get them comfortable about talking about their lives.
The book’s cover is befitting of its subject matter with the leather look offering a royal background to the golden letter print. It speaks to how high a level rock music holds in the pecking order- arguably, modern music as we know it has originated from blues and rock music. The second noteworthy thing is the use of high definition pictures to reference the musician being interviewed in every sub-chapter. This ensures that the book is for both original rock and roll lovers and aspiring new ones. Together is makes for a refreshing and consistently enjoyable read.
I recommend this book to rock music enthusiasts, aspiring musicians wondering what it takes and all readers curious to learn new things by going back in time.
